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These lines bring tears to my eye as I sing aarti and are very close to my heart.अनंतकोटी ब्रम्हांडनायक राजाधिराज योगिराज परब्रह्म श्री सच्चिदानंद सदगुरु साईनाथ महाराज की जय ।।साईनाथ गुरु माझे आई । मजला ठाव घावा पायीं ।। दत्तराज गुरु माझे आई । मजला ठाव घावा पायीं ।। श्री सच्चिदानंद सदगुरु साईनाथ महाराज की जय ।।O Guru Lord Sainath, You are my Mother, please give ME refuge at YOUR Holy Feet.O Guru Lord Datta, You are my Mother, please give me refuge at YOUR Holy feet.Victory be unto our dear Sathguru Lord Sainath, the King of Kings, WHO is full in Glory and Prosperity and Pure Conciousness. शिरडी माझें पंढरपुर । साईबाबा रमावर। शुद्घ भक्ती चंद्रभागा । भाव पुंडलीक जागा । या हो या हो अवघे जन । करा बाबांसी वंदन ।।गणू म्हणे बाबा साई । धांव पाव माझे आई ।। Shirdi is my Pandharpur and Saibaba is my Vitthal Our pure devotion for Saibaba is the river Chandra-Bhaga (flowing at Shirdi) and our earnest feeling for Saibaba resembles the devotee Pundalik (devotee of Vithal)who is wide awake (at Shirdi). Come Come o all people, do offer worship unto baba ,DasGanu says o Baba Sai, please run and manifest yourself (for my sake), o my mother

Monday, March 1, 2010

Telugu Sai Satcharitra:Audio-Chapter 37.

Posted by Manisha.Rautela.Bisht on 11:15 AM
Chapter 37
Chavadi Procession

In this chapter Hemadpant after making some preliminary observations on some points of Vedanta, describes the Chavadi procession.

Chavadi Procession

Baba's dormitory has been already described. One day He slept in the Masjid and on the next, in the Chavadi (a small building containing a room or two near the Masjid). This alternate sleeping in both these buildings went on till Baba's Mahasamadhi.

Baba one day He slept in the Masjid and on the next, in the Chavadi (a small building containing a room or two near the Masjid). This alternate sleeping in both these buildings went on till Baba's Mahasamadhi.


From 10th December 1909 devotees began to offer regular worship to Baba in the Chavadi.

When the turn of retiring to the Chavadi came, people flocked to the Masjid and made bhajan in the mandap (courtyard) for a few hours. Behind them was a beautiful Ratha (small car), to the right a Tulsi-vrindavan and in front Baba, and between these the devotees fond of bhajan. Men and women who had a liking for the bhajan came in time. Sai Baba was the Magnet Who drew all the devotees to Him there. Outside in the open, some trimmed their divatyas, (torches), some decorated the palanquin, some stood with cane-sticks in their hands and uttered cries of victory to Baba. The corner was decorated with buntings. Round about the Masjid, rows of burning lamps shed their light. Baba's horse 'Shyamakarna' stood fully decorated outside.

Tatya Patil came with a party of men to Baba and asked Him to be ready. Baba sat quiet in his place till Tatya came and helped Him to get up by putting his arm under Baba's arm-pit. Tatya called Baba by the name of Mama. Really their relationship was extremely intimate. Baba wore on his body the usual kafni, took His satka (short stick) under His arm-pit and after taking His chilim (tobacco-pipe) and tobacco and placing a cloth over His shoulder became ready to start. Then Tatya threw a golden-embroidered beautiful Shela (Shawl) over His body. After this Baba, moving a little the bundle of fuel-sticks lying behind with His right toe and then extinguishing the burning lamp with His right hand, started for the Chavadi. Then all sorts of muscial instruments, tashe, band and horns and mridang, gave out their different sounds; and fire-works exhibited their different and various coloured views. Men and women singing Baba's name started walking, making bhajan to the accompaniment of mridang and veena. Some danced with joy and some carried various flags and standards.
The Bhaldars announced Baba's name when He came on the steps of the Masjid. On the two sides of Baba stood persons, who held chavaris and others who fanned Baba. On the way were spread folds of cloth on which Baba walked on, being supported by devotees' hands. Tatyaba held the left hand and Mhalasapati the right and Bapusaheb Jog held the chhatra (umbrella) over His head. In this fashion Baba marched on to the Chavadi. The fully decorated red horse, named Shyamakarna led the way and behind him were all the carriers, waiters, musical players and the crowd of devotees. Hari-nama (the name of the Lord) chanted to the accompaniment of music rent the skies as also the name of Sai. In this manner the procession reached the corner when all the persons that joined this party seemed well-pleased and delighted.

On coming to this corner Baba stood facing the Chavadi and shone with a peculiar lustre.

Baba face glittered like dawn.Baba stood there with a concentrated mind, facing the north, as if He was calling somebody. All the instruments played their music while Baba moved His right arm up and down for some time. Kakasaheb Dixit at this time came forward with a silver plate containing flowers besmeared with gulal (red powder) and threw them on Baba's body off and on. The musical instruments played their best at this juncture and Baba's face beamed with steady and added radiance and beauty, and all the persons drank this lustre to their hearts' content.
Some times Mhalasapati began to dance being possessed or obsessed by some deity, but all were surprised to see that Baba's concentration was not in the least disturbed. With a lantern in his hand Tatya Patil walked on Baba's left side and Bhagat Mhalasapati on the right, holding with his hand the hem of Baba's garment. What a beautiful procession and what an expression of devotion!
Bhaktas followed on both sides with love and devotion.
was also fully decorated with a good white ceiling, mirrors and many sorts of lamps. On reaching it Tatya went ahead and spread an asan and placing a bolster made Baba sit there and made Him wear good angaraksha (coat). Then the devotees worshipped Him in various ways.

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I feel I am like a river, having my own course, stream and flow but the final destiny is to be one with the boundless ocean of my Sathguru Shirdi Sai Baba.

Amidst all the worldly rituals I am performing,I do not dare to loose sight of my Sainath. He is the sole driving force, the guide and the Supreme master.

The strings of my life are in his hand,I am just a puppet at His Holy Feet.
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